Summer shows!

Marina & Berna in VT 2015

 

 

 

 

 

 

 

 

Hello, hello! I write from a glowing screen in an old stone house in the hills of Chianti, the dark green Persian blinds drawn tight against the summer swelter outside. The wheat sways and glows gold, spilling down the hillside to the well in the valley below. Summer is here, the cicadas are singing, the jasmine is blooming… and I am booking, booking, booking!

After another few weeks in this blissful place, Berna and I will hop a plane and head back to salty New England, guitars in hand, where my trusty steed (… Honda) awaits. The trunk is already packed: tent, fishing pole, amps, CDs. We’ll hit the ground running — as usual — with shows booked in Vermont, New Hampshire, Maine, and New York City (and more on the way). We’ll be stretching out some new tunes — including one in Italian (!) — off my forthcoming album Tide & Stars. And we would LOVE to see & sing to you. It’s been too long!

Click here to view upcoming gigs on the books. I’m adding more shows all the time, though, so check back often if you don’t find one in your area — or follow me (Facebook) (Instagram) to stay up to date! Thanks team… and see you SOON!

<3 <3 <3

Opening for Dar Williams at The Cabot – 3/17!

DarWilliamsFeature

 

 

 

 

 

Exciting news! Marina is honored to be supporting none other than Dar Williams at the beautiful Cabot Theater in Beverly, MA on March 17!

One of the most lauded singer-songwriters of her generation, Dar Williams has been captivating audiences with her sheer elegance and honesty in her folk-pop songwriting since the early ’90s. Williams’ growth as an individual over her almost three-decade-long career has gone hand-in-hand with her evolution as an artist. She has toured with such distinguished artists as Joan Baez, Patty Griffin, Ani DiFranco, and Shawn Colvin, and is a regular contributor to the Huffington Post‘s Green Blog. A dedicated environmentalist, Williams toured throughout the northeast visiting children’s camps and planting bee gardens in summer 2011.

Marina has long been a fan of Dar’s, first having seen her 15+ years ago (!) at a solo acoustic show. Dar’s exuberant stage presence and insightful, funny, and honest songwriting have continued to inspire Marina as her own performance and writing career has developed.

This promises to be a memorable night of original music performed by one of the biggest names in American folk, supported by a local rising star. Don’t miss it! Click here for tickets and event details.

This weekend: Portland, ME and New York City!

womensmarchrome_micaylamirabella

 

 

 

 

 

 

This weekend, Marina & Berna hit the road for two intimate acoustic (and FREE!) shows. The first is on Friday, 3/10 up in the salty city of Portland, ME: we will play two original sets on the newly-renovated stage at Port City Blue, one of Portland’s coziest venues for original folk, bluegrass, jazz, and more. Our set starts at 8pm. Join us for tunes & brews (and maybe some snow)!

Next up, on Sunday, March 12, we head down to New York City to play a set at the Rockwood Music Hall, down on Manhattan’s lower east side. Rockwood has three separate stages, each in its own space with its own bar and staff — so they up hosting dozens of independent musicians each day! It’s a great place to come to discover new music. We hit at 5pm on Stage 1 – hope to see you, New York friends & fans!

“A Part of Something Bigger” — Live Review!

Marina, Berna, and Adam at the narrows

 

 

 

 

 

 

 

 

 

Last weekend, Bernardo and I were honored to share the stage with rising star Adam Ezra and his fabulous band at the beautiful Narrows Center for the Arts in Fall River, MA. Several days later, while still riding high on the show’s good vibes, we were pleasantly surprised to see a glowing review from Tony Adams at the Live Music News & Review blog! Click here to check it out.

Tony is a dedicated fan of Adam’s, as you will read, and the sheer joy with which he writes of the concert is characteristic of Adam’s enthusiastic and inspired fans. As Adam said himself onstage, his main source of inspiration in writing, performing, and listening to live music is the feeling of being “a part of something bigger than yourself.” And this concert was no exception: we were all swept up in the moment, the music, the experience, singing and swaying together at concert’s end like the very best of old friends. It was an honor to be a part of this night, and to be a part of this incredible community that Adam has built up over many, many years on the road… and it certainly gave us something to aspire to.

 

Photo by Michael Sparks Keegan Photography

Rising Stars in Folk: Marina Evans & Alice Howe

 

 

 

 

 

 

 

 

 

 

Friday, March 3: Singer/songwriters Alice Howe and Marina Evans join forces for a night of original acoustic music at The Burren. The Boston-born songwriters have traveled far and wide with their music — in Alice‘s case, to the western shores of Seattle, and in Marina’s case, across the Atlantic to Florence, Italy (Marina will be joined onstage by Bernardo Baglioni, Italian-born guitarist and producer, and, incidentally, her husband!). On this rare occasion the two songbirds  find themselves back in Boston at the same time, and are eager to share their new music — featuring sweet, sultry vocals, insightful lyrics, and unusual melodies — with a hometown crowd.

Purchase tickets online in advance using the coupon code below to get a special discounted rate!

 

.

Opening for the Adam Ezra Group!

AEG

 

 

 

 

 

 

Saturday, February 25: Marina & Bernardo head down to Fall River, MA to support New England favorite the Adam Ezra Group at the Narrows Center for the Arts! Marina’s sultry voice and Bernardo’s gritty slide guitar are a perfect warmup to the rollicking, heartfelt, socially conscious music of AEG, a group that’s fast-rising to national acclaim. This is one show of original, homegrown New England music that you won’t want to miss!

Tickets:

About the Adam Ezra Group: A tireless touring outfit, the Adam Ezra Group (AEG) played upwards of 200 shows in 2015, often devoting their time to local charities and always going out of their way to connect with fans. The Group is made up of lead singer, songwriter and guitarist, Adam Ezra, Alex Martin on drums, Turtle on percussion, Corinna Smith on fiddle, Francis Hickey on bass and Josh Gold on keys. Together they are creating a powerful, inclusive community around AEG shows that is beginning to be compared to a social-movement as much as a traditional music fan-base.

 

Performing at Women’s March Rome

Women's March Rome

Photo by Micayla Mirabella

 

 

 

 

 

 

 

 

 

 

On Saturday, January 21, Marina was honored to lend her voice & songs to the Women’s March in Rome, Italy! This was one of hundreds of “sister marches” to the Women’s March on Washington that occurred across the globe. Millions of people joined together across borders and oceans, across racial and gender and religious and economic lines, to call for JUSTICE and EQUALITY for all people.

In the folk tradition Marina strapped her guitar to her back, traveled to Rome, climbed the steps of the fountain facing the mighty Pantheon, and performed songs of protest, of peace, and of social justice — both her own original compositions, as well as some resounding crowd favorites (“Down by the Riverside” and “Amazing Grace”). Joined by guitarist and mandolin player Bernardo Baglioni, Marina started off the set with her most recent release, “Color Line (Old Man Trump),” an uncanny co-write with Woody Guthrie on the evils of the Trump dynasty (click here for the full story on Woody’s lyric & Marina’s song). She followed that with her song “Turtleshell Eyes,” a rumination on the persecution of women in the Middle East inspired by Azar Nafisi’s book Reading Lolita in Tehran. She ended her first set with “One Way or the Other,” another original song about overcoming adversity in the face of power.

The energy was tangible in that ancient square, in the imposing shadows of the Pantheon. Voices jilted and mingled and harmonized in chants and songs. Colors blended and slogans of hope, of resilience, and of defiance danced in the air.

“Today’s gathering of souls was much needed,” Marina said, “particularly for those of us who, being far from home, feel isolated or helpless in the face of recent events. It was heartening and inspiring to join together in song, fists raised, hearts full — but the freedom to gather and protest in this way is in itself a precious thing. Our liberty is a blessing, but it is also a responsibility: a responsibility to give voice to the voiceless the world over, to protect and defend those who are not free to do so themselves.”

Marina ended her set with a new original song, “Blessed Burden,” inspired by the refugee crisis that started in Europe and has now expanded the world over. Here’s a selection of the lyric (listen & read full lyrics here):

People, rise

And hold each other tight and near

Love defies

The dark, the anger, greed, and fear

We’re just one little planet

In a sea of stars

And whether we are gonna make it

Is a question of heart…

Winter gigs in Italia!

Christmas on Ponte Vecchio, Florence, Italy

Christmas on Ponte Vecchio, Florence, Italy

 

 

 

 

 

 

 

 

 

 

Marina is back in beautiful Tuscany for the fall and early winter, and is excited to announce two intimate acoustic concerts here in the coming months! Performing in duo with Florentine guitarist and producer Bernardo Baglioni, Marina is excited to share new music from her forthcoming album, Tide & Stars.

November 30, 2016: Riff Club, Prato, Italia

December 23, 2016: Ex Cinema Aurora, Livorno, Italia

Sound check at Ex Cinema Aurora

Bundled up for sound check at Ex Cinema Aurora

 

 

 

 

 

 

 

 

New Song “Color Line” Featured in Libro Musica

this-machine-kills-fascists-graphic

 

 

 

 

Grazie mille to music blog Libro Musica for the post about “Color Line,” my latest release! The song is a co-write between myself and Woody Guthrie, who penned the lyrics back in 1950 in response to the blatant racism of his then-landlord, Fred Trump. The lyrics were unpublished until 2016, and upon reading them, I was struck (and dismayed) at the uncanny resemblance between the Trump Guthrie knew and our current President-elect.

From Libro Musica:

“I love that artists like Marina Evans, use their talents to share a message that will help to promote, shape and inspire listeners to create social change. This message about the dark days of our past helps us to prepare for the future.”

Click here to read the full article; click here to listen to “Color Line (Old Man Trump)”!

You can stream the song online for free, but if you choose to purchase/download the song, please remember that ALL proceeds from sale of the digital track will be donated to the Woody & Marjorie Guthrie Fund at the Huntington’s Disease Society of America. Woody Guthrie passed away from Huntington’s disease in 1967 and we are still working towards a cure for this fatal illness.

 

Image credit: Horse and Hare Hand Carved Art + Design

Co-Write with Woody Guthrie: Color Line (Old Man Trump)

BIG news: I have signed my very first co-write agreement with non other than… Woody Guthrie! I humbly submit to you Color Line, lyrics by Woody Guthrie, music & new lyrics by yours truly. The beautiful arrangement you’ll hear is thanks to producer Bernardo Baglioni (as some of you may have guessed). To listen, click the player below or click here!

The story:

This may seem strange, as Guthrie left this earth quite some time ago. But like many of Guthrie’s works, these lyrics and the subject of the song are very much of this moment in American history, despite the 50+ years they have been gathering dust. So let’s start from the beginning.

In 1950, Woody Guthrie signed a lease on an apartment in Brooklyn, NY. The public housing complex, one of many that received federal loans & subsidies in the postwar years, was owned by Fred Trump, Donald Trump’s father. Soon after moving in, Guthrie began penning lyrics lamenting the fact that the equal opportunity the public housing initiative was supposed to afford was not, in fact, equal. Blacks were turned away, told the housing was full, or discouraged by falsely inflated rents. In his lyrics — unpublished until earlier this year — Guthrie holds Trump personally accountable for the racist rental policies employed at his properties:

I suppose
Old Man Trump knows
Just how much
Racial Hate
He stirred up
In the bloodpot of human hearts
When he drawed
That color line…

The accusations made in these bitter lines were later confirmed in various legal proceedings against the Trump real estate empire. The most damning evidence came from Trump’s own employees, who testified that rental applications for Trump properties were indeed coded by race, and that doormen and supers were encouraged “to decrease the number of black tenants… by encouraging them to locate housing elsewhere.”

I came across these lyrics in an article published by Will Kaufman, the scholar who discovered them, in January of this year. And I was absolutely stunned by the uncanny resemblance between Guthrie’s depiction of Trump senior and his son, the 2016 Republican nominee for President of the United States.

Reading the lyrics, I heard a melody immediately. Their prosody, their urgency… they needed to be released. I picked up a guitar, hummed the melody, edited Guthrie’s original lyrics, and added some of my own. It took quite a while to reach an agreement with Woody Guthrie Publications for usage of the lyrics, since they had never been published before and I was among hundreds of songwriters seeking to use them. But now here we are, just a few days before this crucial (unbelievable) election, and a signed co-write contract found its way to my inbox.

100% of my proceeds from sales of this track will be donated to the Woody & Marjorie Guthrie Fund at the Huntington’s Disease Society of America. Woody Guthrie passed away from Huntington’s Disease in 1967, and we are still working towards a cure for this fatal illness.

I hope I have done some justice to Guthrie’s legacy with this project. I hope Guthrie’s original intent carries across the decades to this critical moment in our nation’s history. I hope each and every one of you votes on Tuesday (not to worry – my absentee ballot is IN). And I hope that on Wednesday morning, as dawn breaks over the big, beautiful, protean experiment that is America, we wake to a brighter future.

See you on the other side,
Marina

 

The Lyrics:

(Guthrie/Evans)

I suppose
Old Man Trump
Old Man Trump

Oh he knows
Just how much
Racial Hate
He stirred up
In the bloodpot of human hearts

Human hearts 
When he drawed
That color line

That color line
That color line

This just ain’t, this just ain’t
My home, my home

This just ain’t, this just ain’t
My home, my home
Home – 

I just can’t pay my rent
My money’s down the drain

My soul is badly bent
I break my back
And I’m drowning
Just the same
Though he never earned it,
Trump he drawed
That dollar line
That dollar line
That dollar line

This just ain’t, this just ain’t my home, my home
Where are ya, America
My home, my home?

Children dying in the desert
He says: Build a wall
He draws his hate line in defiance
Of God and man’s law

I suppose Old Man Trump
Old Man Trump

He don’t wanna know…