This weekend: Portland, ME and New York City!

womensmarchrome_micaylamirabella

 

 

 

 

 

 

This weekend, Marina & Berna hit the road for two intimate acoustic (and FREE!) shows. The first is on Friday, 3/10 up in the salty city of Portland, ME: we will play two original sets on the newly-renovated stage at Port City Blue, one of Portland’s coziest venues for original folk, bluegrass, jazz, and more. Our set starts at 8pm. Join us for tunes & brews (and maybe some snow)!

Next up, on Sunday, March 12, we head down to New York City to play a set at the Rockwood Music Hall, down on Manhattan’s lower east side. Rockwood has three separate stages, each in its own space with its own bar and staff — so they up hosting dozens of independent musicians each day! It’s a great place to come to discover new music. We hit at 5pm on Stage 1 – hope to see you, New York friends & fans!

Performing at Women’s March Rome

Women's March Rome

Photo by Micayla Mirabella

 

 

 

 

 

 

 

 

 

 

On Saturday, January 21, Marina was honored to lend her voice & songs to the Women’s March in Rome, Italy! This was one of hundreds of “sister marches” to the Women’s March on Washington that occurred across the globe. Millions of people joined together across borders and oceans, across racial and gender and religious and economic lines, to call for JUSTICE and EQUALITY for all people.

In the folk tradition Marina strapped her guitar to her back, traveled to Rome, climbed the steps of the fountain facing the mighty Pantheon, and performed songs of protest, of peace, and of social justice — both her own original compositions, as well as some resounding crowd favorites (“Down by the Riverside” and “Amazing Grace”). Joined by guitarist and mandolin player Bernardo Baglioni, Marina started off the set with her most recent release, “Color Line (Old Man Trump),” an uncanny co-write with Woody Guthrie on the evils of the Trump dynasty (click here for the full story on Woody’s lyric & Marina’s song). She followed that with her song “Turtleshell Eyes,” a rumination on the persecution of women in the Middle East inspired by Azar Nafisi’s book Reading Lolita in Tehran. She ended her first set with “One Way or the Other,” another original song about overcoming adversity in the face of power.

The energy was tangible in that ancient square, in the imposing shadows of the Pantheon. Voices jilted and mingled and harmonized in chants and songs. Colors blended and slogans of hope, of resilience, and of defiance danced in the air.

“Today’s gathering of souls was much needed,” Marina said, “particularly for those of us who, being far from home, feel isolated or helpless in the face of recent events. It was heartening and inspiring to join together in song, fists raised, hearts full — but the freedom to gather and protest in this way is in itself a precious thing. Our liberty is a blessing, but it is also a responsibility: a responsibility to give voice to the voiceless the world over, to protect and defend those who are not free to do so themselves.”

Marina ended her set with a new original song, “Blessed Burden,” inspired by the refugee crisis that started in Europe and has now expanded the world over. Here’s a selection of the lyric (listen & read full lyrics here):

People, rise

And hold each other tight and near

Love defies

The dark, the anger, greed, and fear

We’re just one little planet

In a sea of stars

And whether we are gonna make it

Is a question of heart…